From the Llewellyn Magick Blog, June 22, 2015:
In the upcoming issue of Hermetic Tablet (Summer 2015), Jake Stratton-Kent has published an essay entitled, “The Other Magicians and the Goetia,” (adapted from an Internet post simply called, “The Other Magicians”), and I am about to spoil the hell out of it. It’s not that I want to steal Jake’s thunder, but I think this is a topic that needs discussion, and I’m not against shining my own spotlight upon it—especially since the subject matter has become rather important to my own path. But I don’t want to get ahead of myself, so let me begin with a bit of explanation.
When modern students look at the most popular texts of classical Western occultism—such as the Key of Solomon, Lemegeton, The Book of Abramelin, Agrippa’s Three Books of Occult Philosophy, etc,—we often come away with the impression that they represent how magick was done at the time. However, we can easily forget a rather simple fact: the medieval/Renaissance European grimoires only reflect how one specific group of occultists did their work.
I talk about this at length in Secrets of the Magickal Grimoires, where I discuss the origin of the Solomonic tradition among a class of clerical exorcists. Without a doubt, the methods of spirit conjuration outlined in the Solomonic texts reflect this origin: the view of all chthonic and nature spirits as “evil,” the imperious and arrogant manner in which the spirits are addressed, and the harsh methods used to force the spirits’ compliance—all of this arises from a culture of people who spent their days casting out truly demonic entities of sickness and ill-fortune from their clients.
Yet, the grimoires themselves have given us clues that this was not the only method of working with spirits—perhaps not even the predominant one.
Read the Rest at: http://www.llewellyn.com/blog/2015/06/who-are-the-other-magicians/