I’ve been given the go-ahead to share the cover-art for my next book with you. Check it out!
The Essential Enochian Grimoire – Front Cover
This is the first Enochian Magick book of its kind ever published. It is not a re-hash of Dee’s journal entries, nor is it about magickal theory. This grimoire – as the term implies – is a manual on how to perform the magick. This may be the first time you’re ever seen Enochian Magick presented as Dee himself would likely have performed it.
And that’s hardly all this book covers! Part 1 is an introduction to the Enochian tradition, perfect for students who are just beginning their study of the material:
- It begins with the mythos of Enoch the Prophet.
- Then outlines the work (and likely intentions) of John Dee and Edward Kelley. As a bonus, I even included a “cast of characters” that explains “who’s who” (both human and angel) in Dee’s magickal journals and biographies about him.
- Finally covering the post-Dee period that eventually led to the Golden Dawn recension of the system (aka Neo-Enochian). I explain how the original Dee material made it to the Golden Dawn, how it changed as it went along, and exactly what are the differences between the Dee-purist and Neo-Enochian systems.
Part 2 of the book is the grimoire proper:
- Starting with the cosmology of Dee’s system, all of the tools and talismans, the hierarchies of angels (along with their functions and – where Dee recorded them – their appearances) and finally the initiations and magickal rituals used to summon them. All four phases of the system are laid out: the Heptarchia, Gebofal (the Book of Loagaeth system), the Parts of the Earth and the Watchtower system.
- Then the Neo-Enochan system is layed out (entirely separate from the Dee-purist material): including its unique hierarchy of Elemental angels and their functions, the application of occult forces (astrology, Tarot, geomancy, Tetragrammaton, etc) to the Watchtowers, the construction of truncated pyramids and Elemental sphinxes, and the descriptions and attributions of the Coptic-Egyptian Godforms used with the Watchtower squares (as well as with Rosicrucian Chess). These Godforms include updated and corrected color schemes based upon the Elements they represent. Finally, an example Neo-Enochian summoning ceremony is included to show you how it all fits together in practice.
Once you have read and studied the Essential Enochian Grimoire, you will have a firm grasp of the two Enochian currents (Dee-purist and Neo-Enochian), understand the differences between them, and have more than enough material on hand to begin experimenting with either one.
Enochian Magic is one aspect of the Western Esoteric Tradition that students sometimes find intimidating and overwhelming. In The Essential Enochian Grimoire, Aaron Leitch has done a remarkable job of clarifying the Enochian system for the benefit of both beginners and advanced magicians alike. You will not find a better introduction to Enochian Magic anywhere.
– Charles “Chic” Cicero and Sandra “Tabatha” Cicero
Chief Adepts of the Hermetic Order of the Golden Dawn
Co-authors of The Essential Golden Dawn
In the complex and often confusing world of Enochian Magick, Aaron Leitch has accomplished the seemingly impossible by bringing clarity and precision while never oversimplifying or speaking down to the reader. He separates the major sources of what is actually a set of magickal systems—from the works of Dee and from those of the Golden Dawn—and without requiring years of studying an arcane language clearly explains the methods and techniques. He keeps each form of the systems discrete and independent for the purist, but also shows how they can be combined for the adventurer. This book belongs on your magickal bookshelf.
—Donald Michael Kraig, Author of Modern Magick
“Leitch brings his expertise to the fore in what is sure to live up to its name as an indispensable addition to any Enochian magician’s bookshelf. The Essential Enochian Grimoire provides a comprehensive look at the history and composition of both Dee’s original system and the innovations of the Golden Dawn, Aleister Crowley, and others, all appropriately divided so that magicians of either a Dee purist or Neo-Enochian persuasion can take or leave material as they see fit. Leitch goes beyond just the theory of Enochian magic, delivering a workable approach to the system that will be an important asset to many. In addition, he looks at lesser known areas, employing a scholarly approach, while making the system easy to learn and use. A highly recommended book.”
— Frater Yechidah, author of Enochian Magic in Theory and Enochian Magic in Practice
Due out in early 2014!
So the Ceremonial Magick course is over until the fall. I’m *very* proud of all my students, as we seemed to have a pretty powerful and synched group of people by the end of it all. :) It was awesome seeing you guys go from the very basics (this is the Tree of Life… this is the Hebrew alphabet…) all the way to consecrating talismans and finally calling down angels. And several of us will definitely be doing more work together in the future.
I am heartened to learn that everyone seems to have gotten something worthwhile from the Jupiter talismans we consecrated last week. Given that I had simplified a few things for the sake of the class and time restrictions, I was prepared to be satisfied just to have shown you how to do that kind of work. I think the fact that those talismans appear to have brought real results for each student (and all within a single week, no less) says a lot of good things about you guys. :)
As for yesterday’s evocation of Gabriel: WOW what an experience! The last time we did this, the class just had a nice skrying session with Gabriel. That is not to say it wasn’t a powerful and moving experience, but this time around was especially intense for everyone. I suspect it had much to do with the fact that Carrie and I made sure more of the students took an active role in the invocations – where the previous group had been more content to just let me and Carrie do the rituals. So this time, the students were much less passive observers.
Some present experienced a kind of waking “sleep paralysis” coupled with a rush of images that will take some time and meditation to decipher. All very Lunar. Others were taken on astral journeys into the sphere of Yesod. And then, even I was shocked when Gabriel *physically* stepped in and kicked some ass. lol That, my friends, is REAL magick.
I’m no stranger to being “ridden” by angels, but I certainly wasn’t expecting it to happen during a class like that. To be honest, Carrie is usually the one more likely to be ridden. Regardless, I’m sure everyone benefited from the experience. :) I hope you will all stay in touch with me and let me know what unfolds for each of you over the coming days, weeks or months.
To everyone who couldn’t attend the course this round, we will be doing it all over again in the fall. Plus, for those of you who are long distance, we are still working on converting the classes into a Skype format so we can include you as well. :) Stay tuned!
Greetings Seekers of Magick!
I decided to check in on Brother Moloch’s Evocational Magics forum tonight, and I came across an interesting post that asked a very good question: Why Evocation? I think you folks might be interested in my response, so I’m posting it here as well. :)
First, here are the relevant parts of the original post:
I’ve never actually seen the need to evoke anything though. Simpler methods (sigils, natural magic, improvisations using familiar tools/symbols, etc) have always sufficed to solve the problems I’ve faced. I’m now looking at workings that will probably involve entities…
So, I guess I’m asking whether you’re working with these entities because:
– You’re called to do so
- It’s part of your basic toolkit, like rootwork might be in someone else’s toolkit
- There are some things that require spiritwork, like RO talking about how his sphere resonates with the sphere of the entities he evokes, which leads to personal change and growth.
So why do you evoke? Or, perhaps a more interesting question: why should someone like me, who’s never performed an evocation, seriously consider it?
And here is my response:
Historically, “magick” was all about working with spiritual entities. (You had Astrology, Alchemy and Magick respectively.) Even simple spells, incantations, rootwork, etc all involed the participation of one’s familiars or patron gods/spirits, etc. Going all the way back to tribal shamanism, the initiation into magick was focused upon introducing you to your familiars and patrons – then it was the spiritual entities who taught you the real magick. All the spells and incantations you use today (or even the art of using them) were delivered originally to shamans by the spirits.
The idea that magick can work without the direct involvemnt of spirits is a modern one, and in my personal opinion it is a step down. ;)
The art of spirit work is the art of knowing how to interact with spiritual entities and get them to work wirh/for you. How to contact them, how to make proper offerings to them, how to secure their cooperation. Even the Keys of Solomon are focused primarily on teching one how to contact the spirits, then the real magick is left up to you and them.
Also don’t make the all-too-common mistake of thinking evocational magick is just “another option” of magickal practice. What I mean is that students often think that one can use spells, talismans, incantations, etc OR evoke spirits. And, in that vein, the way one works magick with spirits is to simply call them up and request what you want. That’s not how it works.
Instead, one evokes a spirit to ask HOW to get what you need. In response, the entity may give you instructions for a talisman, a ritual, rootwork, an offering, an incantation etc, etc. Then you perform the given spell (or whatever you were instructed to do) with the assistance of the entity to achieve your results.
Why evocation? Because it is how magick really works. ;)
Greetings, faithful followers!
I thought it might be useful – for me as well as my readers – to post my favorite recipes for planetary incenses here.
In a best case scenario, you would want each incense to include the planet’s sacred number of ingredients. Thus, Saturn incense should include three ingredients, Jupiter incense should contain four, etc. The down side to this is when you reach the higher-numbered planets: six ingredients for Sol and seven for Venus isn’t so much, but by the time you reach Luna’s nine ingredients the recipies begin to get unwieldy. Another option is to have all the recipies include the same sacred number of ingrendients. Three and seven are always “standard” sacred numbers for nearly any purpose.
I generally choose three ingredients for mine – representing each of the three worlds described by Agrippa (physical, mental and spiritual), or the three shamanic worlds (celestial, terrestrial and the underworld). I have found that simpler is better when it comes to mixing aromatic powders together. Quite often, substances that you think would smell wonderful when burned together, instead create acrid and unpleasant burning smells. Whatever number you choose, it will take some trial and error before you find the exact mixture that works best for you.
Incense of Saturn/Saturday:
1 part Myrrh
1 part Asafoetida
1/4 part Sulphur
Incense of Jupiter/Thursday:
1 part cedar
1/4 part clove
1/8th part apple pectin
A few drops of pine oil
NOTE: This is a rare case where I use more than three ingredients, and four is sacred to Jupiter. I find that apple pectin tends to have an acrid burning smell – so I add very little and then offset it with the pine oil.
Incense of Mars/Tuesday:
1 part Pipe Tobacco (or, my favorite, “Black and Mild”)
1/2 part Cinnamon
1/8th part Crushed Red Pepper
WARNING!: Martian incense is one of the most dangerous substances I’ve worked with! It is, quite simply, tear gas. If you make this, do not add too much red pepper. And when you burn it, do it in small quantities. Never, for any reason, lean over the censor and inhale or draw in breath! Too much pepper or direct inhalation can burn your throat and lungs.
Incense of Sol/Sunday:
1 part Frankincense
1 part Copal
1/2 part Benzoin.
NOTE: You may also use standard “Church” incense, which can be found in most botanicas or christian supply stores.
Incense of Venus/Friday:
1 part Sanalwood
1 part Benzoin
1/2 part Red Rose Petals
Incense of Mercury/Wednesday:
1 part Benzoin
1/4 part Frankencense
1/8 part Lavender Blossoms
Incense of Luna/Monday:
1 part Calamus
1/2 part Juniper Berries
1/4 part Gardenia Flower
As a note, I generally find that the various flowers used in the above incenses tend to produce a burnt smell when placed on hot coals. A good solution is to replace the flowers with a drop or two of essential oil instead. Just be careful, as too much flower essence will quickly overpower the other ingredients in the recipe.
You should, of course, test these recipes and tweak them according to your tastes and intuition. Or, if you feel inspired to do so, try making scents with the planetary number of ingredients. A wonderful resource for this work is Scott Cunningham’s Incenses Oils and Brews.
Also, you can use these for Elemental incenses as well:
Fire: Martian Incense
Water: Lunar Incense
Air: Mercury Incense
Earth: Saturn incense*
(* – Personally, I find Saturn incense too noxious for Earth. My favorite Earthy scent is Patchouli.)
May you find these suffumigations useful and powerful in your magick.
ADDENDUM: One thing Agrippa mentions, and I’ve been meaning to experiment with it, is the inclusion of a lodestone. (That is a natural magnet made from magnetite.) It certainly wouldn’t add anything to the scent of the incense – so I’ve always assumed it was included for its attractive properties. That is, since a magnet can be used to magnetize other metals, then perhaps it is added to the incense to “magnetize” it to attract forces in sympathy with it.
However, I do note that Agrippa only lists the lodestone as an ingredient for Saturn and Martian incenses. So this may hint at a more chthonic attribution for the lodestone, having something to do with commanding spirits…
Ok, folks I just had to blog about this one…
This morning, at work, I encountered a rare instance where I had a few minutes of downtime at the end of my shift. So, having nothing better to do at that moment, I decided to see what ol’ Google had to say about “aaron leitch” (yes, I do that from time to time!). Past all the usual links to my website, blog, Facebook, defunct MySpace page and my books, I found this gem:
How come Aaron Leitch has never seen a spirit?
You can imagine how that grabbed my attention. LOL If you click on the above link – which is a summary of the thread – you’ll find some interesting comments. Such as:
“…it appears he has never evoked a spirit to physical manifestation. Why is that?”
I love this one:
“He calls their name and leaves out cookies. Im not sure that is traditional.”
Maybe they read my essay on Santa Claus and got confused? Of course, someone asked the obvious question:
“Ok, how do we know he has never evoked a spirit to visible manifestation? Has he said so?”
But then we see this reply:
“Yes on many occasions. He said that it does not bother him and it is not a concern. “
Of course we aren’t offered any quotes to back up that claim – which is interesting. I, for one, would love to see someone quote me – from my blogs, books, forums or anywhere else – actually claiming that I have never seen a spirit. LOL
Over the years that I have been an author and forum-poster I have learned two truisms:
1) If people can get the wrong impression about what you write they will.
2) People can always get the wrong impression of what you write.
You guys know that I pride myself on writing some of the most down-to earth documents about magick ever written. No needlessly big words or jargon intended merely to make me look smart and make you feel “out of the loop.” If I am asked (or am addressing) a question, I answer it in plain simple English – suitable for translating into plain simple (insert your language here). Yet, the above two rules apply to my work just as surely as they do the work of Aleister Crowley – who regularly inserted in-jokes and blinds and red herrings because he found it fun to do so.
I am, perhaps, more forthcoming than most with my work – freely sharing my techniques and results, and lately even adding photos into the mix. Of course, that doesn’t mean I share every magickal secret I know with you guys. There are many layers to what I do, and you can bet I’m not going to share every bit of it with the world.
For example, take a look at the photo I posted of the ingredients for my Abramelin Oil. Have you noticed that one ingredient is wrapped in a white paper towel? Why do you suppose I would do that? And, given that, what else do you suppose I’m not telling you? Sometimes what I leave unsaid is as important as what I say. ;) But enough about that.
Here is another interesting quote from the above-linked thread:
“To me it seems that he writes many times as if he were a skeptic. Maybe thats why. At times I fee like asking him “Ok, do you believe in magic or not???”
That one makes a little more sense. I purposefully write as if I were an academic studying magick from a cultural perspective, rather than as a “rabid true believer” who accepts everything occult as pure-distilled fact. Or, as it was stated – as a skeptic. Why? Because I want my work to be read by people outside of occult circles, people who may be skeptics themselves – but who might actually take an interest in the subject matter as a valid aspect of the human experience.
Note my membership in the Societas Magica – an academic, rather than an occult, group. Well-respected scholars are finally looking into these subjects with open minds, rather than looking down their noses at it, and us. I want to encourage them.
Plus, I’m just not “into” dumping a bunch of my personal beliefs and things that my spirits have told me on you – dear reader – and expect you to just accept them without critical thinking. We’ve got enough occult authors out there that do that – and will call you plenty of names if you dare to question or challenge them on any of it. What my spirits tell me is my fucking business, and it really isn’t going to impact how you work anyway. So, I’d rather just stick to documented facts and let you do the Work for yourself.
I registered for that forum in order to clear up the questions those folks have about me. I’m not sure if I’ll even go back to see how they respond. I may or may not, but ultimately I’ve had my say and they will believe what they choose to believe about me regardless of my explanations. They’ve already applied the “two rules” to me anyway – so “what’re ya gunna do?”
In case you groovy folks following my ramblings here are interested, I’ll share with you how I responded to them. Hell, maybe it will clear up some questions even you have had about me. ;)
Aaron Leitch here, and I would like to clear up a few points:
1) Yes, I have indeed seen spirits, had visions, heard sounds, smelled smells, had scientifically-unexplainable manifestations and more. I have never stated, anywhere, that I have never seen a spirit.
However, I have stated that I am not “naturally wired” to interact with the spirits in a visual manner. I seem to be better wired for sound, and sometime smell and always for “feeling.” But, like Dr. Dee, I can’t count on visuals every time, so I often employ a skryer (a very talented one to whom I also happen to be married).
In my writings, I try to get across the idea that evocation is NOT about getting the visuals or other “special effects.” They are damn fun when they happen! But they aren’t the point of the work – and there should be at least one author out there that is willing to admit it. I think this is where some of you have gotten the impression that I’ve “never seen a spirit.”
2) Do I believe in magick or not? Most certainly I do! However, I don’t just write for “true believers.” My writings are fit for study in academic circles as well as occult circles – so I often take what might seem to be a disconnected stance from the material. I present magick as a cultural thing – with a real function to fulfill in society – not just something that I practice myself and desire others to “believe in.”
As for Enochian magick – you can be sure that much of Dee’s material (especially the Heptarchia) has sources older than Dee himself. Enochian magick wasn’t just handed down to humans by angels who carved the words in stone. They chose Dee because he already had a certain basis of knowledge in his head (and at his fingertips) which they needed in order to build the Enochian system as we know it. (Such as when Dee asked for the form of the Seal of the True God, and was told, “It is already perfected in a book of thine.” Said book turned out to be Liber Juratis, and the angels only had to supply new lettering to go with the existing figure.)
Most of the Heptarchia was constructed this way. Some have said that Dee’s work was the “culmination” of all the magick that had come before him, after which he bounded off into new realms with Liber Loagaeth and the Great Table of the Earth.
I hope this has answered some of your questions.
I was recently a guest on an episode of the ‘Deeper Down the Rabbit Hole’ Podcast. We talked for about an hour (on the air – and about as long off the air afterward!) and had an absolute blast. We discussed Solomonic magick and its place in the current occult revival, its relationship to the African-Caribbean Diaspora traditions (Santeria, Voodoo, Hoodoo, etc) and about grimoire magick in general.
Check out the Podcast here.
I can’t wait to hang out with those guys again soon. ;) I believe the topic will be Enochian magick and the Angelical Language.
This year has been fairly active concerning our house gods. First, we worked with Samael for the protection of our home. Then we called upon Iophiel to bring prosperity into the house. Now, we turn our attention to another old and trusted friend of the family (in fact, the first archangel with whom I built a relationship): St. Michael.
St. Michael Slays the Dragon
Michael is the Archangel of the Sun – the representative of God’s Light here on Earth. He is the highest archangel (besides Metatron himself) and sits at the right-hand of the Divine Throne. Some traditions also consider him an Angel of Fire and/or an Angel of Mercury. As the Angel of the Sun, he is the General of the Heavenly Armies, the High Priest of the Celestial Temple, Patron of Israel and the quintessential Guardian Angel. He is patron to soldiers (especially para-troopers and pilots), police officers and warriors of all types. It was Michael who defeated Lucifer in single combat, and cast the Dragon down from Heaven.
In his Mercurial aspect, he judges the dead with his scales and guides the souls to Paradise or Gehenna according to their deeds in life. (Legend has it he also brings the souls out of Gehenna to rest on the Sabbath, and perhaps liberates souls from there once they have paid their karmic debt.) He is a benevolent Angel of Death, and carries the souls of the righteous to heaven. As an archangel with chthonic associations, he is an angel of war and plague as well as of protection and healing. In some traditions, Michael is considered a divine physician and healer on par with Raphael. He is patron of EMTs, emergency workers and all first responders.
We knew that offerings to Michael were long overdue. It would have been great to perform the rite on/near midsummer, but we were unable to do that. The next Sunday was also a no-go, as it stormed non-stop all day, and I just didn’t like the idea of making offerings to the Sun while the sky was dark and stormy. So we put it off for an extra week, and that actually allowed us more time to properly prepare.
Talisman of Michael
Part of the preparation was the re-construction of Michael’s Talisman. Many of you have seen that Talisman, because a photo of it is included on my Facebook and Myspace accounts. However, the Talisman itself has become lost after two moves. (Other Talismans that were stored with it are still here, but Michael’s has vanished.) Therefore, on the Wednesday before the ritual, on an hour of Sol, my wife painted a new version on consecrated paper. On dawn of the following Sunday, I performed the Solomonic talisman consecration – found on p. 320-322 of Secrets of the Magickal Grimoires or the Key of Solomon, Book I, Chapter 8.
Note that the Psalm verse written in the circumference is Psalm 113 verse 5: “Who is like unto the Lord our God, who is on high.” I feel that Michael led me to this Psalm, because his name translates into English as “Who is like unto God?” The entire Psalm seems very much in sympathy with Michael as well (it even mentions the Sun), so I consider this Michael’s Psalm:
Praise ye the Lord. Praise, O ye servants of the Lord, praise the name of the Lord.
Blessed be the name of the Lord from this time forth and for evermore.
From the rising of the sun unto the going down of the same the Lord’s name is to be praised.
The Lord is high above all nations, and his glory above the heavens.
Who is like unto the Lord our God, who dwelleth on high,
Who humbleth himself to behold the things that are in heaven, and in the earth!
He raiseth up the poor out of the dust, and lifteth the needy out of the dunghill;
That he may set him with princes, even with the princes of his people.
He maketh the barren woman to keep house, and to be a joyful mother of children. Praise ye the Lord.
With the consecration completed, we set about preparing the offerings that would be used for the invocation at noon of the same day. Here is the ritual that I followed:
Offering Ritual for Archangel Michael
It is best to choose a Sunday when Sol is well aspected in the heavens, and he should be above the horizon at the time of working. Dawn or Noon are best. The most powerful time of year to do this ritual is when Sol resides in the sign of Leo. It can also be done to good effect upon Michael’s feast days: September 29th (Western) or November 8th (Eastern).
On Saturday evening, cover a table or altar with a gold, yellow or white cloth. Place a talisman and/or image of Archangel Michael upon the altar. (If it is a talisman, place it in the center. If an image, set it toward the east facing westward.) You will need a censor and an incense of Sol.
(Note: I use three ingredients for incense of Sol: 1 part frankincense, 1 part copal, 1/2 part benzoin. You may also use standard “Church” incense.)
Also prepare all elements of the offering to Sol: A yellow seven-day candle. A glass of milk, A glass of red wine. A plate with six pieces of bread and honey. Also add citrus fruits, pomegranate, hot peppers, fruits that are dried in the sun (raisins, dates, etc) and/or solar flowers (red or yellow roses, sunflowers, daisies, etc) – all in groups of six. (Note that the herb Angelica is especially sacred to Michael.) You may also offer Michael red meat or rooster (not chicken) meat – thoroughly cooked.
On Sunday just before sunrise or noon, wash yourself and don the white robe. At sunrise or noon, set the offering to Sol upon the table. The yellow candle should occupy the center – directly upon the talisman if there is one. Around this arrange the food offerings. You may also add any gift offerings for Michael, or items you wish for him to touch – such as golden jewelery or trinkets, talismans, stones, oils, written prayers or petitions, etc.
Light the yellow candle and the censor with the proper exorcisms. Then exorcise and consecrate the offerings with the sprinkler and censor. Finally, standing west of the altar facing eastward, recite the following invocations over them:
Prayer to YHVH Eloah v’Daath
YHVH Eloah v’Daath, God of all Knowledge, who wearest the Sun as a jewel upon Thy finger. Thou who art the Light of the World, the LVX that shineth in the darkness. Thou radiant God who delights in warmth and brightness, granting life and heat to all created things. From whose face the creatures of darkness and ignorance must flee in terror. In your Name are all evil spirits expelled, all sickness abated, all unhappiness transformed into joy. I ask that you bless and sanctify this offering, that it may be pleasing unto You and Your Angels.
I ask, also, that you send to me the holy Archangel Michael: who sitteth upon thy right hand, judge of souls, protector of Israel, driver of the Chariot of the Sun. May he also enjoy these offerings, and be pleased with them, and bear our prayers of thanksgiving unto Thy Celestial Throne. Amen + Amen + Amen + Amen + Amen + Amen +
The Penitential Psalms
(Note: For any other Solar Angel, I would recite six Psalms related to Sol. However, Michael prefers to be summoned via the seven Penitential Psalms.)
Psalm 6 (“O Lord, rebuke me not in thine anger, neither chasten me in thy hot displeasure.”)
Psalm 32 (“Blessed is he whose transgression is forgiven, whose sin is covered.”)
Psalm 38 (“O Lord, rebuke me not in thy wrath: neither chasten me in thy hot displeasure.”)
Psalm 51 (“Have mercy upon me, O God, according to thy lovingkindness…”)
Psalm 102 (“Hear my prayer, O Lord, and let my cry come unto thee.”)
Psalm 130 (“Out of the depths have I cried unto thee, O Lord”)
Psalm 143 (“Hear my prayer, O Lord, give ear to my supplications…”)
Invitation to Michael
I invoke thee, St. Michael! Holy Archangel of the Solar sphere! I call upon thee within thy realm of Beauty and Majesty!
Michael, Mighty, Pure, Wise, Prudent, Intelligent, Prince of the World, Light of the Stars, Golden and Splendorous, Phoebus – shining over the whole World!
Michael, who art High Priest of the Celestial Temple. Mighty General of the Heavenly Hosts! Celestial Guardian Angel! You who cast down the fearsome Dragon and broke the Serpent beneath thy foot! Who sitteth at the right hand of God and weigheth the Souls in the Scales of Truth.
O Michael, when I have called upon you in times of need, you have answered. You have banished darkness from my home, dispelled storms and saved the lives of loved ones. You have been a faithful friend and protector of my family, and have brought honor and glory into our lives. For all of this we thank you!
Come thou forth and partake of these offerings, which we have prepared in thy honour and to the glory of YHVH Eloah v’Daath. May you find them pleasing and empowering. I ask that you offer your blessings to my home and family, and bear our offerings and prayers of thanksgiving to the Divine Court. We petition thee for strength and protection in all of our undertakings, and that the light of thy wisdom should guide and keep us at all times. In the name of YHVH Eloah v’Daath. Amen.
Repeat the Invitation six times. Then, share in the feast you have offered to the Angel – taking bites of each food item and sips of the wine and milk. Leave the offerings in place until the yellow candle burns completely away (and no less than six days). Place the remains in a natural place, into running water or at a crossroads.
- End -
Ritual of Michael Journal Entry
Altar to St. Michael
I began by fasting from before midnight on Saturday night until after the invocation was performed at noon the next day. At the dawn of Sunday morning, I took a simplified ritual bath and consecrated the Talisman. Then I erected the altar to Michael: beginning with a covering of golden yellow cloth. The large full-color icon was painted by my wife Carrie Mikell. Plus I found a few of my own favorite Michael engravings and paintings to print out and place with it. In front of these we set various talismans of Sol as well as our written petitions to Michael. (Each petition was written with consecrated pen on consecrated paper, then folded three times – a multiple of six – toward ourselves.) In the center of the altar rested the Talisman with a yellow seven day candle set over it.
Then we went outside and fired up the grill. We used natural wood charcoal, and I added Angelica and solar incense to the coals. I cooked a steak until it was well done (it smelled wonderful!). That was placed on a plate and garnished with six havenero peppers and six banana peppers (all appropriately yellow color). This was then surrounded by the other solar offerings: a pomegranate cut into six pieces, six sunflowers, a dozen yellow/red hybrid roses (in two sets of six), and six stalks of wheat. We then added a bowl of citrus fruit (grapefruit, orange and lemon) and a plate of fresh bread covered with organic honey and garnished with sun-dried tomatoes and apricots – again, every one in groups of six. (The honey was very thick and had to be spread on the bread like butter. It’s the best honey I’ve ever tasted.) Finally, we added a glass of red wine and a glass of milk. There was hardly room on the altar top for all of it!
Offerings to St. Michael
I followed the ritual as I have it written. I put on a gold Michael medallion that has become standard for me whenever I work with him, and the blinds were already opened to let the sunlight into the room. I lit the candle and the censor with the proper Solomonic exorcisms, and consecrated the offering with holy water and incense. I performed the invocations (burning even more incense), then called everyone in the house to come and share Michael’s feast. We each took a bite of most everything on the altar (a couple of us even bit into the haveneros to impress Michael) and sipped the wine and milk.
We will leave the offerings on the altar for at least six days – or until we see visible signs that Michael is well done with his meal. Then, as before, we will take the remains to a local river and cast them into the running water.
UPDATE: Michael seems to be pleased and (his Icon) is now back home by the
front door. It was interesting: Usually, when you remove something like a poster or large painting from your wall, it leaves a big blank spot that nags at your consciousness for a few days. However, this did not happen when I removed Michael’s Icon from its place. The entire week his Icon rested on the altar in the Temple, he also seemed to STILL be by the front door. (This was mentioned by every adult in the house – none of whom even noticed that Michael’s Icon was gone at first.) There was never a nagging blank-spot feeling there. Now he is back home again, like he never moved. (Except now he has a brand new charged Talisman behind him, and a copy of the ritual I used to call him down.)
We did indeed take the offerings to the river after six days. I actually had to remove the fruit items from the altar after 5 days, as they began to mold. (A sure sign the spirit is done with them.) Everything else rested there until the sixth day, and then all was taken to the river. I have a picture that I will add here later.