Archive for the ‘books’ Category
Greetings Dee Aficionados!
It is with much sadness that I report the demise of The Magickal Review dot org – which once offered digital scans of all of Dee’s Enochian journals, a PDF of TFR, and many other important academic resources. :(
I wish I knew what happened, though the site’s administrator (Ian Rons) has been posting for a couple of years that he has lost interest in the Enochian system. He likely simply felt it was time to move on…
I can say, without a doubt, that my last three Enochian books would not have been possible without Ian’s site, along with his direct help and permissions. So wherever you are, Ian, thanks! :)
Meanwhile, we have not lost those academic resources! Joshua Knarr acted quickly and recovered most (if not, by this point, all) of the scanned Enochian documents plus a ton of other great material – and archived them all on his Ceremonial Magick Musings blog. Thanks Joshua! :)
The Holy Guardian Angel anthology, published by Nephilim Press, has been released at last! :) I’ve updated the blog post accordingly – including a link to where to purchase your copy. :)
Originally posted on Ananael (The Secrets of Wisdom):
Greetings Devotees of the Holy Guardian Angel!
will soon publishhas now released a brand new anthology entitled The Holy Guardian Angel. It is a collection of essays about the HGA by various occultists (some you know, and some new names as well) – including me! :)
The Holy Guardian Angel
My contribution is called After Abramelin: Working With the Holy Guardian Angel. If you remember my older essay, The Spirit-Magick of Abramelin, this new essay is its direct counterpoint – explaining how one is supposed to work with the Guardian Angel after completing the Rite.
Here are the introductory paragraphs of my essay:
After Abramelin: Working with the Holy Guardian Angel
The Book of Abramelin is a German magickal text supposedly written by Abraham von Worms in the 1400s. It contains a method of invoking and permanently bonding with one’s Holy Guardian Angel. The angel…
View original 385 more words
Greetings Angel Workers!
I have been told that the new anthology from Nephilim Press:
will be released soon. :)
Some time ago, I was asked by Scarlet Imprint to write something about demonology for their anthology entitled Diabolical. So, I wrote a lengthy essay called The Spirit Magick of Abramelin – giving a detailed overview of the system of goety found in the final book of that grimoire. (More recently, that same essay was published in Hermetic Virtues Magazine.)
Later, I was asked by Nephilim Press to write something about the Holy Guardian Angel for their new anthology – Walking With the Angel. So, I decided to give them the exact opposite, and outline the Abramelin system of angel magick. That is, the specific instructions for continuing work with your HGA over a lifetime – instructions which are present but scattered in the original text. Instructions that have remained hidden and unexamined for hundreds of years…
Plus I give a lot of insight into my own performance of the Abramelin operation (specifically its ending) and how I developed my relationship with my HGA over the years that followed.
I’m in very good company in this anthology too! There will be entries from Inominandum, Rufus Opus (in his publication début), Scott Stenwick, and more.
If you want to read the introductory paragraphs of my essay, click here.
Greetings Faithful Listeners!
Deeper Down the Rabbit Hole
In just a few days I’ll be returning to the Deeper Down the Rabbit Hole podcast, where I’ll be interviewed by Andrieh Vitimus and Jason Colwell about The Essential Enochian Grimoire.
I had a ton of fun last time – these guys are great to talk to. (As I recall, I stayed on the phone with them for about an hour after the interview was over!) So, needless to say, I’m both honored and excited to be invited back on the show. :) Make sure to tune in!
Click Here for the Podcast Page
Greetings again Egyptophiles!
James Clark has decided to wow us with another example of his Egyptian iconography from the Neo-Enochian (that is post-Golden Dawn) portion of the Essential Enochian Grimoire. This is another of the godforms that rule the “Truncated Pyramids” of the Watchtower squares:
The Greek name “Harpocrates” comes from the Egyptian Heru-pa-Khered, meaning Horus the Child. As the story goes, Osiris had impregnated Isis just before he left the realm of the living to govern the Underworld. Osiris’ brother and murderer Set, who had usurped the Throne of Egypt, was unaware of the pregnancy, and Isis did everything in her power to keep it that way. She went into hiding in a field of reeds to have and raise the child – who she named Horus – in secrecy. (As it happens Set did eventually find out, and made several attempts to assassinate his infant nephew, but all without success.)
Eventually, Hrous came of age and confronted Set to reclaim his father’s Throne. After 80 years of battle (on the field and in court), Horus achieved victory and became the ruler of Egypt. From that point forward, every Pharoah was considered a living incarnation of Horus.
The Child Horus became a special figure in Egypt, much as the Baby Jesus would become his own figure in later Christianity. (In fact, it is quite likely that images of the Madonna and Child are descened from older Egyptian images of Isis and Harpocrates.) Horus the Child represented the newborn Sun (in the morning, but especially after the winter Solstice) and the first appearance of crops and vegitation.
As Nick Farrell pointed out in his most recent blog post, our association with Harpocrates as a “God of Silence” was due to a misunderstanding on the part of the Greeks. They saw the young boy figure holding a finger to his lips, and assumed he was making the common gesture for “be quiet.” Thus, they associated him with their own God of Silence and Mystery – and that is exactly how he is viewed in the Golden Dawn system to this day.
In fact, the particular gesture being made by Harpocrates is simply an imitation of the Egyptian Hieroglyph for “Child.” I suspect this had something to do with children sucking on their fingers, or even making a non-verbal request to be fed.
Egyptian Hieroglyph for “Child”
Of course, even if Harpocrates is not specifically a “God of Silence”, there is still deep significance in the mythos of his being raised in secret by the Mother Goddess, and prepared for his eventual confrontation with Set. In the Golden Dawn’s Neophyte initiation ceremony, the candidate is presented as likewise raised in darkness and obscurity, protected and finally guided to seek spiritual wisdom by the Great Mother so he can someday reclaim his own spiritual Throne and govern his personal Kingdom.
In the Neo-Enochian system, Harpocrates represents balanced Air and Water. Two sides of his pyramid are Air (yellow with purple characters) and two are Water (blue with orange characters). His image is a youth wearing a yellow and blue tunic, a yellow pectoral collar, and a blue headdress. He also wears the double-crown of Egypt, colored yellow and blue. He holds a blue ankh and stands in the “sign of silence” – meaning his left fingertip is pressed against his lips. Sometimes he is depicted kneeling upon a Lotus blossom. He rests upon a yellow and blue base.
So James Clark has finally released some new artwork from the Essential Enochian Grimoire – and this time he’s drawing from the Neo-Enochian half of the book, where we find the Golden Dawn’s version of Enochian magick. And, in the Golden Dawn, they used Egyptian godforms as talismatic images to represent the “Truncated Pyramids” formed of the Watchtower squares:
Hathor – Goddess of Passion
Hathor is the Egyptian Goddess of Fertility and Passion – much like the Goddesses of neighboring countries: Astarte, Ishtar and Inanna. Also like these other Goddesses, Hathor is also a Goddess of War.
Egyptian mythos tells us of the time Hathor overheard some humans planning to assassinate her father Ra and overthrow his kingdom. In her rage, she assumed the form of the Eye of Ra (the disk of the Sun) and flew across the Earth burning and destroying everything in her path.
So complete was her destruction, the other Gods became afraid she would exterminate mankind for good. So, they quickly chose a valley in Hathor’s path and flooded it with beer dyed red to resemble blood.
Sure enough, when Hathor saw what appeared to be a lake of human blood, she waded in waist-deep and began to drink her fill. The beer eventually took effect and Hathor, her rage finally spent, fell into a deep sleep. What was left of mankind rejoiced at being spared, and learned to never again plot against mighty Ra.
In the above picture, we see Hathor as she appears in the Enochian system. (It’s a shame the Essential Enochian Grimoire couldn’t reproduce these images in full color!) She represents balanced WATER and EARTH. Two sides of her pyramid are Water (blue with orange characters) and two are Earth (black with white characters). Her image is of a woman wearing a blue and black dress, a blue pectoral collar and a black horned headdress. The headdress is surmounted by a blue disk and blue feathers. She carries a black ankh and blue lotus scepter and stands upon a black and blue base.
James really outdid himself on these Egyptian images. When Llewellyn first told me they wanted to have an artist re-draw the traditional GD Godforms, I was skeptical. I pictured some kind of modern fantasy-style depictions of the gods – which would have been nice, but would not have carried that “Golden Dawn” tone or feeling. Thankfully, James happens to have Golden Dawn experience, so he knew exactly how these images should look. I am proud to have these new images in my book – I have no doubt they will be used by practitioners again and again!
Thanks goes to Chic and Tabatha Cicero for lending me the original versions of these Godforms. :)
Greetings Angel Workers!
James is not only an accomplished graphical artist, but he also has practical knowledge of and experience with the subject matter. (That made working with him on these images *much* smoother. Not to mention it means he is as dedicated as I am to getting every detail just right.) The following is an image James is particularly proud of, from the upcoming Essential Enochian Grimoire:
The Seal of the True God.
“And I saw another angel ascending from the east, having the seal of the living God ” [Rev 7:2]
The Seal of God appears in the Book of the Revelation of St. John, carried by an angel from God’s Kingdom (of Light in the East) to the Earth. It is then used to mark the foreheads of all the world’s faithful who serve the Light. (See Rev 7, and 9:4.) And this isn’t a religious concern, as even St. John clearly states the Seal was received by “a great multitude, which no man could number, of all nations, and kindreds, and people, and tongues.” (Rev. 7:9). (The only catch was that 144 thousand Jewish guys got to receive it first.)
Personally, I suspect such a mark would be upon one’s aura – a spiritual mark. Consider the mark is places “in the forehead” in Revelation, the common location given for one’s “third eye” or psychic awareness.
The above Seal is probably familiar to most of you as the “Seal of Truth” – and Dee did refer to it by that term once or twice. However, its full and proper name is given in Dee’s journals as Sigillium Dei Emeth, which translates literally as “Seal God Truth.” In other grimoires that have versions of this Seal, it is called the “Seal of God.” Thus, I tend to refer to this image as the “Seal of the True God.” (However one could suggest other translations such as the “Seal of God’s Truth”, “Seal of the God (of) Truth” or even the “True Seal of God.” Plus “Seal” can also be “Signature”, so we get titles such as the “True Signature of God,”)
In any case, what you are seeing above is, in fact, a very unique image. Back in the old Enochian-L days (circa late 1990s), we dissected the numbers and letters of the Seal in minute detail – and we became aware of three problems in the available images of Dee’s Seal. The above image addresses these problems:
One appears to be a mistake (either of Dee’s or of some later copyist). A circumference character “y/15″ (see above) is rendered as “y/14″ in all published images of the Seal of the True God. The problem is that “y/14″ makes it impossible to decrypt the Angelic Name that contains that y. If you look on p. 103 of Joseph Peterson’s John Dee’s Five Books of Mystery, you’ll see the angels actually gave him “y/15″ (There is also a mathematical mystery having to do with the numbers in the Seal’s circumference that requires this to be 15.)
Interestingly, this letter is only used in the eighth “hidden” name Aborymon, which is associated with Antichrist and the End Times. (The name is likely related to Abaddon and Apollyon.) If one wanted to be completely ridiculous, one might even suggest it was a deliberate blind Dee introduced into the Seal so dabblers wouldn’t find Aborymon’s name…
The second and third problems were deliberate blinds on the part of Dee, so dabblers wouldn’t stumble onto Aborymon’s name. Really.
In most published versions of the Seal of the True God, you’ll find in the circumference a capital letter “A” without any numbers in its cell. That’s the first letter of Aborymon, and it doesn’t tell you where to go to find the next letter of the name. Dee originally recorded a “666” in this cell, and noted that one was to move counterclockwise six spaces to find the next letter. Later, the Archangel Michael (in a vision) erased the “666” in that cell to illustrate dominance over the Antichrist. Dee followed suit by leaving only the “A” on his own Seal. Most have followed suit, but a few practitioners are starting to put the “666” back in place in order to repair the mathematical integrity of the circumference itself.
Finally, the last problem is a certain character “13/r” that also blocks the decryption of Aborymon. (This is why I suspect the “y/15″ was an honest mistake.) If you move thirteen spaces clockwise from “13/r”, it just takes you back to the capital “A” that started the name. However, this number 13 is necessary for that mathematical mystery I cryptically mentioned previously, so it has to stay. You just have to know that to decrypt Aborymon properly you have to remove the “1” from “13” and only move clockwise three spaces.
This image is really a joint effort of several people. First I drew up a sketch of a corrected Seal. Then Carrie Mikell took that sketch and turned it into something I could actually scan and submit to the publisher. (lol) James then had Carrie’s large and clear picture to work from to create the final version you see above. :)